Artworks appear over time, influenced by trends, world events, artistic accomplishments, or just the time of year. Time is an excellent curator of artwork. The goal of our collections is to reflect that evolution and present a curated journey through the themes, stories, and ideas that define our creative expression. By organizing artworks into thoughtfully designed collections, we invite viewers to explore connections, discover narratives, and appreciate how each individual piece contributes to a larger artistic conversation. Collections not only help structure our experience of art, they also illuminate relationships between different works, artists, and historical moments, enhancing the meaning and enjoyment of each piece.
Collections
Every place leaves a mark. The colors, the light, the rhythm of a city or a quiet village—they stay with me long after I’ve moved on. Travel Memories is a collection shaped by those echoes. Each painting captures not the postcard version, but the feeling of being there. A wall of cracked stone, a splash of tiled blue, a market stall at dusk. These works are not about geography; they’re about presence. Moments I didn’t want to forget, turned into color I want to share.
Centered on love and sharing that love is at the heart of Valentine's day; such a perfect fit for my work that I had to create a collection to assemble those paintings that directly represent that special day.
This collection is the highlight of my work. It contains the pieces that I am most fond of, or that gave me the most satisfaction.
This year we intend to take our art on the road by creating a collection especially curated to celebrate this beautiful time of year. The works selected reflect joy, warmth and happiness. They are meant to be seen in public, wherever they will be the most welcome.
Summer of Love is a celebration of emotion in full bloom — a season where hearts take center stage and color becomes language. Each painting in this collection features a single bold heart, rendered in vivid tones that radiate warmth, clarity, and unapologetic joy. These hearts are not quiet. They speak in reds, blues, oranges, greens — each hue chosen not just for beauty, but for the feeling it delivers.
The Fall is a wonderful time when Nature turns all kind of earthy colors. It's about yellows, reds and various shades of green and browns. It's also the time of Halloween and spooky subjects.
In winter, the world quiets. The days shrink, the light softens, and time seems to stretch between dusk and dawn. Wintering Down is a collection born in that in-between space—where everything slows, but nothing stops. The colors here are cooler, deeper: shades of blue, grey, brown, and soft charcoal. They’re still vivid, but in a lower voice. The mood isn’t cold—it’s contemplative. It’s what happens when brightness turns inward.
This collection gathers studies, trials, and spontaneous bursts of curiosity—pieces that don’t fit neatly anywhere else, and that’s the point. It’s a space for freedom, play, and risk. Some artworks are sketches of new ideas, others are material or style experiments. Here, process matters as much as product. These works are windows into the artist’s journey.
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A playful, heartfelt end-of-year series painted across the winter of 2024. This collection blends imagination with reflection—featuring whimsical characters like Leif the nisse, a wandering snowman, and the omnipresent heart. Each piece captures a flicker of holiday feeling: distance and closeness, light and shadow, joy and introspection.
2025 Exercise in rebranding
2025 Following the North Star
2025 Happy Birthday Julia
2025 Joining the matrix
2025 Leif is coming to Earth
2025 Lost In Space
2025 Love at the end of the world
2025 Snowstorm
2025 Take a step back
2025 Wintersports
2026-01 Oil & Fire
2026-02 Fly my Love, Fly
2026-03 Dark side
2026-04 Heart of gold
2026-05 80's style
2026-06 Purple
2026-07 Fuck Cancer
2026-08 Patched
2026-09 Dark Matter
2026-10 softness
2026-11 On stage
2026-12 Andouille
2026-13 Fluffy
2026-14 CastielWoodworking is a beautiful challenge for someone like me who honed skills in technology where you bend a computer resources very precisely to your objectives. Wood doesn't care. Wood grew, organically. Sometimes it doesn't want to be chiseled in that very precise manner or location, and you need to work with it. It has character and it pushes back. It can be both refreshing and frustrating at the same time. Every session in the shop is a bit of a lesson in humility. I love that.
